Over on the Facebook page. Just click the ‘Shop Now’ tab. You’ll get some original character art by me with every purchase. Printed on high quality paper stock with heavyweight matte covers. And here’s some issue two cover art for you.
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Duck and Cover issue one available for online purchase
Robota
I’ve been having a very painty week
you can check out some new sketches on the facebook page, in the meantime, here’s a robot for you. Watercolour, oils, photoshop. Mixed media joy.
And here’s some detail. Off to Jerusalem for a birthday dinner now. Yikes, 34 years old…
Drawing gurus is fun
While I’m processing my sketchbook from Italy, heres a little Guru love to keep the blog warm.
It’s possible that you geek out over how other people work and I confess: I do, but you might be normal and therefore not give a damn. But I love to see what I can learn from other people’s processes. So with that in mind, I’ve uploaded the PSD of this piece in low res, so you can see how I’ve gone about it, and how each layer affects the image. You can get that here. Let me know if it’s of interest, and if you’d like to see more of that kind of thing.
Adios,
j
Duck and Cover comic art
I’m frantically wrapping up some boards for work before leaving for Italy tomorrow. Although the way things are going I’ll be doing boards in a hotel room in Rome tomorrow night. Which (if only for one evening), sounds kinda romantico. So before I leave I’m putting up some new Duck and Cover art, which is going into a pitch bible for the project.
I’m looking forward to Florence and I’m ready to cram my sketchbook with new work. I’ll post as I go.
Adios,
j
A tribute to Joe Ranft
A beautiful storyboard by John Musker (one director of Princess and the Frog, Aladdin, the little Mermaid) in tribute to legendary story artist Joe Ranft, who would have been 50 years old last week, had he not been killed in a car crash in 2005. Joe epitomised the ’story man’, working behind the scenes to bring soul and structure to the story. I wish I could have worked with him.
“Joe was really a major part of Pixar’s soul,” says Pete Docter, director of Monsters, Inc. “He was one of the key players who made all the films what they are.”
Telling anecdotes from Joe’s colorful life, some of these sketches blow me away. So immediate and powerful.
As a film maker (in my little niche) I’ve realised that I don’t care for the finished film as much as the experience of making it with good people. Then I read what Joe had written on his office door, and I really wish I’d worked with him:
‘The journey is the reward.’
What are you staring at?
Bouffant, M’dame?
Tel Aviv SketchCrawl
We were pretty wary of some heavy rains this weekend. Well hey, I’m british, so rain is nuthin’. But my Israeli friends are delicate flowers, so we opted for a nice cafe on Rothschild Boulevard, Tel aviv’s most groovy, Bauhausy, and pleasingly human-scaled boulevard. Sketched there. Drank belgian beer on an empty stomach so sketches got wobbly. Then grabbed a gourmet burger at Moses, down the road. Nice, and simple.
A Drawing of the road:
And some of our fellow cafe dwellers. One couple did not like being sketched one bit, and went off in a huff…

This Girl had an interesting bottom lip. Glad she didn’t ask to see my sketchbook.

Saw these guys strolling down the road ( it’s purim over here…. therefore a lot of fancy dress parties). Got to love the Middle East.

I wound up at the pool, and thought I’d draw these old boys chewing the cud in the hot tub:












